After the presentation I had to dash off to meet friends for lunch at Ten Ten Tei, a little Japanese place with charmingly grumpy staff and delicious food - I'd highly recommend it. Once lunch and coffees had been had, I brought Matthew with me to the Fyodor Golan presentation. Last season, I wasn't really feeling the overwhelmingly neon collection and, while there was neon present this season, I found the overall direction a lot more cohesive and pleasing. Golan's love for bright hues, metallics and clubwear was given a cyber punk makeover that reminded a little of a noughties sci-fi drama in the best possible way. Think goggles, a-symmetry, distressed denim, holographic fabrics and elaborate hairstyles.
Three days in a pair of beloved ankle boots that barely had an insole left meant that, after Fyodor Golan, I dragged Matthew to the Primark on Oxford Street (i.e. Hell on Earth) to find something I could bear hobbling around in.
Then we said our goodbyes and I hobbled right on to the Ashish show, delighted for myself and trying to ignore the burning pain. I missed the show last season because of my flight which devastated me because of my absolute grĂ¡ for the brand. Thankfully, this season more than made up for it. Ashish Gupta, in the face of Brexit and the rumblings of intolerance that followed it, brought India to the catwalk and embraced the diversity that makes the capital great. The Delhi-born designer personally sported a sweatshirt that simply stated "Immigrant" and boldly showed just how vital being multicultural is to fashion. "Old Bollywood" was the inspiration and a sitar player filled the packed room with music as a canopy of fairy lights glittered overhead and an incredibly (and importantly) diverse procession of models in elaborate gilded headpieces, embroidered and vibrant garments, painted faces resembling gods and goddesses and accessorised with live flowers and even a live snake, floated by. By far, it was one of the most exhilarating and beautiful collections of the season with a depth to it that is often absent and shows exactly why fashion is about so much more than clothes draped over flesh.
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