Showing posts with label Kitty Moss. Show all posts
Showing posts with label Kitty Moss. Show all posts

Monday, 27 June 2016

INTERVIEW: Kitty Moss on art, inspiration and not being too hard on yourself

Kitty Moss very much proves the old adage that you shouldn't meet your heroes can sometimes be utterly incorrect.

An Irish illustrator and designer extraordinaire, owner of one famous pooch (veritable star of Kodaline's music videos for “All I Want I” and “II”, which were directed by her husband) and all-around great human being, she is one of those effortlessly cool people that are made more charming by how genuine and self-effacing they are. Humble is a good word for Kitty though her background is anything but. She has studied and worked in both fashion and art, attended NCAD (Ireland's leading university of art and design), worked with John Rocha, has had her own (spooky and wonderful) clothing line and has worked on illustration projects for Dublin's most important retailers and publications.

I first became aware of her work through an exhibition in Irish luxury retailer Brown Thomas called“Art and Style”, which brought the designer garments on sale together with artwork by Irish artists. Her self-described as “spookily sweet” drawings, though modest in scale and less flashy than some of the other work on display, immediately caught my attention. I was dying to know more about her and we first met a year ago when I requested an interview for my blog. When we eventually coordinated our schedules, I ended up chatting to her while sitting on her couch, sipping prosecco and eating homemade cake. We clicked immediately and chatting to her this time around was more of a catch-up than a formal interview.

Since then, Kitty has undergone some major life changes; she got married and moved to L.A. with her now husband, Stevie, and dog, Digby. “We moved here last May and it's been great. We love it. We miss everyone but it's pretty sweet to just live in each others pockets and be creative every day. We have the little fellow too so it's all very idyllic at times, but spooky as hell other times. I've concentrated on just illustrating since we've been here and I'm half way through a kids book. That's going really well and I have also had the pleasure of working on oodles of wedding invitations, which has kept me busy, but really I would prefer to just work on personal projects like the book.”

News of a Kitty Moss book had me fan-girling and I wondered if she could share any details about it. She laughed at my cautious inquiry. “Nothing's hush-hush!...It sounds silly but it's called The Oinking Horse and it's about a little horse that doesn't fit in and needs to find his place in the world. I'm mulling over a new one too, about a girl with a ghost in her heart...I want to do something spooky next - I miss the spook - but feel the need to do something slightly more commercial first. The plan is to get it published this year, so I've to do a few more pictures then I'll send it out [to publishers].”

Discussion of the necessities of being more commercial sometimes, lead us onto the topic of when your passion becomes your job and how it changes your relationship with the craft, which Kitty acknowledges is inevitable but is “a good thing in a way as, apart from the obvious joys of being paid, it makes you realise more and more what you want to do in life” and doing it all day, every day “will make you even more brilliant”. In fact, she's very good at being wise and giving great, soothing advice for young creatives. She notes that it all “takes time” and not to worry about age or having it figured out – something I needed to hear!

Of course, you can't be a creative without talking influences and inspiration. Her favourite artists include Hughie O'Donoghue - especially his bog images - Van Gogh, Bacon and Harry Clarke and she is, of course, also partial to Rocha, particularly his accessories and hats, show pieces, the styling of the shows and his textiles which she says, "send me swooning". A more obscure influence that she notes, however, are Japanese-inspired willow plates that were in her family home growing up. “When I was younger, I used to get lost in them. I loved the little bridges and the hats. I think they may be the first thing that inspired me.” When I note that her work seems to mesh well with a traditional Japanese art aesthetic, Kitty replies that others have said the same thing but that she doesn't see it herself. We agree that influence and perception are magic things that are formed over a lifetime of experiences and memories, making us who we are and every outlook so unique and different. It is, indeed, a beautiful thing. Kitty's words are more poetic than mine. “I love how everything weaves its way in without you noticing. Like a dream. I still feel those willow plates working their magic.”

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An example of Kitty's pretty, witty and spooky work


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Some of Kitty's design work


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Digby himself

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Thursday, 12 February 2015

Year of Irish Design: 15 Favourite Irish Designers/Brands for 2015

As the first in my dedicated Year of Irish Design posts, I wanted to talk through fifteen of my favourite Irish designers and brands. Some of these are labels I write about all the time and their inclusion will be of no surprise to long-term or sometime readers. Others are less frequently mentioned but always admired. They run the gamut between long-established and up-and-coming, internationally recognised and nationally treasured, independent and collaborations with major stores. But they're all Irish and, more importantly, outstanding. Hopefully you'll agree and/or find some new favourites of your own.

NATALIEBCOLEMAN - Natalie is a busy woman. She completed her undergrad in Fashion in Limerick and then a MA at Central St Martins and worked for other labels before establishing her own eponymous line in 2011. And she now continues to design for her own label while working as the Director and Lecturer for fashion design courses at LA College of Creative arts in Dublin. Her clothes are romantic, tongue-in-cheek, playful, rich in detail and so contemporary and wearable. Each collection has a strong narrative basis that informs the direction of the clothing and makes you immediately want to step into the world evoked by Coleman. Her latest collection is inspired by her late mother and is particularly beautiful. And if none of the above has sold the label to you yet, (if it hasn't, what's wrong with you?) Natalie also happens to be one of the sweetest people you'll meet.

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Lennon Courtney - Lennon Courtney comes from super-stylists turned designers, Sonya Lennon and Brendan Courtney. They make quality clothes that would fit into any wardrobe and that flatter the female form. With each collection being designed with the potential clothing needs of a contemporary woman for that season taken into consideration. They are designers who come from a strong reality-based point of view, knowing what women want and need and merging that with style and elegance. The clothes are structured, classic pieces that would prove sound investments for present and future alike. Based, and often present, at their location in The Central Dairy on Stephen Street, Dublin 2, which is fronted by a dedicated store. And what a shopping experience - it's just the most lovely, quaint space and there's always a chance you might get advice directly from the source if you pop in to grab something.



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J.W. Anderson - I tend to get a wee bit preachy and swoony when I talk about Mr Anderson. His presence on this blog is rather large as I rarely go a season without some mention of either (or both) his menswear or womenswear collections. Derry born, Anderson first trained as an actor before following his love of clothing into menswear at the London College of Fashion. He originally focused solely on menswear with the launch of his label in 2008 but was soon prompted into womenswear by interest and demand. His clothes are exploratory revelations, they look at gender roles and norms, they look at our relationship with clothes. They challenge and astound in one breath. They evolve and progress around central ideas in a way that reminds me of Le Corbusier. And, by God, has his career taken a similar path to major international success.


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We Are Islanders - I first heard of the label through a press email I was sent a couple of years ago. One of the first of such emails that I ever got - far before it became the norm. So, I was understandably touched and intrigued. But that initial enticement proved to be so much more. We Are Islanders is a Dublin-based label that fuses art and fashion in the most delightful of ways. They create trans-seasonal collections with only sustainable materials and are dedicated to fusing style with conscientiousness and better practice. The clothes are visually intriguing, encompass strong silhouettes and striking graphics and manage to combine drama with restraint. Styled for shoots they make an immediate impact but they could equally be readily incorporated into wardrobes.



Joanne Hynes - The Joanne Hynes girl is no shrinking violet but she is very much polished and purposeful. She stands out but for all the right reasons and while her accessories are bold, they are never too much. She makes a statement but it's said rather than shouted. A graduate of Central Saint Martins and one of Ireland's many multi-tasking fashion powerhouses, Hynes also works as a Stylist, Image Consultant and mentor. Perhaps most well-known for her iconic collars but so much more than that. She manages to thread a precarious but extremely skilful line between maximalism and minimalism.


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Danielle Romeril - A relatively young label, it was founded by Dublin-born Romeril in 2013 after studying at the Limerick School of Art and Design and completing a MA at the Royal College of Art in London. Her own line was established three years after graduating and after time with Sharon Wauchob, Sinha-Stanic and Alberta Ferretti. Since then, she has gained NEWGEN sponsorship from the British Fashion Council and has been supported by Topshop. Her clothes are exciting, vibrant, full of youthfulness


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Maud & Minet - Kitty Moss is kinda my idol. She's a talented illustrator, artist and designer and hilarious to boot (and provides a mean spread if you ever get the chance to pop over to her house). Her clothing line, Maud and Minet, is the most wonderfully spooky, haunting creation to grace this post. The clothes are more couture than RTW, as each piece is made to order and handmade and hand-finished. No two garments are alike, even if the same design, as they are made in accordance with their wearer. As illustration proves to be Kitty's main focus, there isn't a seasonal showing from the label but what has been produced so far is divine. I'm talking all my witchy, lacy, veily dreams come true. I'm talking proper beauty. Sigh.


Simone Rocha - The pressure to excel in a field in which a parent has had extraordinary success must be intense. People expect you to rest on your laurels or fail but not Simone Rocha. She is very much her own person, her own designer, her own success. She trained at NCAD, Dublin and then Central Saint Martins, London before lanching in 2010. In the very short space of time since then she has become a mainstay of the wardrobes of the young, beautiful and famous, won multiple awards for her work and has continued to produce her own collections alongside collaborations with the likes of J Brand. Her clothes are whimsical, playful and wonderfully pretty in a less-than-obvious way. They're for girls that like to take a risk but look cute, that like to have fun with their clothes. They re-imagine traditional pieces with a large dose of humour.


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Honor Fitzsimons - Having trained in Central Saint Martins, interning at Louise Goldin and Diane Von Furstenberg and working in Paris, London and Amsterdam, Fitzsimons brings together hard work, great career and life experience with her innate talent. A knitwear and womenswear designer who is no stranger to Irish publications and Irish institutions of fashion like Brown Thomas, her clothes charm the pants off you. They're sweet reimaginings of knitwear traditions with a real sense of ease about them. They are wearable and contemporary and, while sweet, have just enough edge.

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Chupi - My oldest friend, whose sense of style I trust beyond all others', was my first intro to Chupi Sweetman-Pell's work. She had a stall at a market in Dublin back then, if I remember correctly, and then suddenly was being stocked by Topshop as if overnight. In 2011, she turned her hand to jewellery which is now her main output. She produces romantic, delicate, beautiful pieces that always have the sweetest names and concepts. The perfect things to give loved ones. That the label is designed and made in Ireland is a lovely bonus!


Capulet and Montague - Capulet and Montague is a jewellery line and the brain child of designer Lisa McCormack. Her pieces are sleek, mesmerising feats of design. They use modern materials and sleek contemporary forms, employing craft techniques and allowing the nature of the materials to help decide their ultimate form. My first interaction with her label was in Atelier 27 in Om Diva, where she is stocked, and I was immediately enamoured with her cuffs. Can you say beyond gorgeous?


Muireann Walshe - Muireann and I ended up doing the same Masters course together last year at NCAD, where I was introduced to her work. Her jewellery line is fun, energetic and vibrant, echoing the creator herself. It combines old and new ideas and materials, making something fresh and intriguing of things we think we know. Her re-imagining of the iconic Tara Brooch for her undergrad degree in Craft Design at NCAD is what first gained Muireann attention and accolades for her work -think history meets pop-art. However, it is her great eye paired with a seriously impressive knowledge of her materials and her craft that sets Muireann apart.

Imperfect Earrings in Teal


Dunnes Stores - My love of Dunnes and admiration of their evolution in recent years should come as no surprise but the concept of long-term collaborations with esteemed Irish designers such as Carolyn Donnelly, Paul Costelloe and (the lovely) Helen James is both fascinating and clever. I can't wait to see what this household name and Irish institution continues to do in the future.

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Alan Taylor - Taylor is a Dublin-born menswear designer who graduated from NCAD in 2010 and worked with another designer on this list, Simone Rocha, before starting his own label in 2011. His clothes run the gamut of wearable and traditional to highly conceptual and challenging and combine solid design and high, far flung ideas and inspirations. Taylor regularly produces amazing video pieces to showcase his work and is one of the brands to be showcased in the recently opened Nowhere on Aungier Street, Dublin.



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Helen Steele - Helen is one of the most interesting characters I've had the privilege to chat with (she used to be in a thrash metal band). She also produces garments that might not seem to be my cup of tea upon first glance, considering my love for all-black outfits. But the colour and pattern in her clothes is so joyous and full of life that I find myself utterly taken with it. Helen combines her art background and practice with her clothes to make something truly special and the world has taken notice as a result, with huge success globally and celebrity patronage. 


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So there you have it! Some amazing design talent has been coming from Ireland in recent years! Let's give them our support and celebrate their skill.

Happy Year of Irish Design!

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Monday, 29 December 2014

2014

This year has been a momentous one for me and this blog. In a single year, it has grown hugely in reader numbers, regard and opportunities. I've been sent away on a trip for it, been able to run more competitions than ever before, met amazing people and learned an inestimable amount.

I've started being invited to events and launches and now work on a regular basis with PR companies. I got the opportunity to go review the Lusty Beg spa and hotel in the North. I met and interviewed Kitty Moss, my favourite Irish illustrator, hung out with Natalie Coleman in her studio, had tea with Helen James in the recently opened Considered Café. I met and photographed the lovely Sarah and Josie and learned about lolita fashion. Friends were also made in the Irish blogger community. I got to indulge my love for Cleo on a deeper level and was invited to the first ever Dublin Institute of Design show. There were four press mentions of the blog in National media this year. Plenty of stuff got sent to me to review. Cool (I hope) outfits were worn. And I was shortlisted for Best Fashion blog in the Irish Blog Awards once more. Oh, and I made my blog aim for the year happen - I was at the Alexander Wang x H&M launch.

These things make me feel giddy, impossibly lucky and incredibly thankful. Thankful to you, the readers, and to any brands or designers or companies that value my hard work and the quality I try to ensure over insane numbers of followers. To anyone who reads this blog on a regular, semi-regular or intermittent basis - I sincerely thank you. You have no idea what it means to me. And, hopefully, with your help we can continue to grow together. To any first time readers, welcome and do pop back anytime! To those who've given me their time or who I've met through the blog - I'm so glad I got the opportunity to do so!

Everything I'm so proud of is pretty minor league stuff and I'm not getting ahead of myself here but I'm still happy with my wee achievements all the same. Let's hope it's only up and out from here!

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How was your 2014?

Thursday, 7 August 2014

New Favourite Human: Kitty Moss

I've been a major fan of Irish illustrator, artist, designer and all-around rad person Kitty Moss' work since I first set my eyes on her Maude and Minet series in Brown Thomas for their Art and Style display way back when. When we finally got a chance to meet up yesterday, Kitty was kind enough to welcome me into her home where she now does the majority of her work. I've never been given a warmer welcome by an interviewee (and I've been lucky enough to be granted time by some awesome/sweet/kind peeps) - I could really get used to it! Not only did she rescue me from my confusion on another not-well-numbered Dublin street but there was an offer of tea, homemade (delicious) cake, chocolate and prosecco upon arrival. I took Kitty up on the first three and got introduced to her uber-famous pooch, Digby (he's the star of Kodaline videos) who is one of the most beautiful dogs I've ever seen (Sorry, Digby, can't privilege your lovely face over my own puppy's).

Mostly we just chatted and got along so well that I then felt weird about officially interviewing her! It was kind of like talking to a super-talented version of myself a few years from now. We were very much on the same page about art, fashion and the moon and trees (they rock) and how "Desert Island" style questions are impossible to answer. 

As she has a fashion and art background, went to NCAD, worked with John Rocha and now combines those two interests in her work, I wanted to know what inspired Kitty most in both fields. Her favourite artists and works include Hughie O'Donoghue - especially his bog images -Van Gogh, Bacon and Harry Clarke. The exhibition of Munch's prints which took place in the NGI in 2009 is also a major favourite of Kitty's - which we both agreed was one of the best shows we'd ever been to. When it comes to designers Kitty is, of course, partial to Rocha, particularly his accessories and hats, show pieces, the styling of the shows and his textiles which she says, "send me swooning". Sharon Wauchob, Dries Van Noten and Ann Demeulemeester and McQueen's shows are also favourites . 

But what about fashion in action every day? What does Kitty reckon are wardrobe staples? For her is has to be black skinny jeans as she "live[s] in them". Red lipstick is her trick for appearing glamourous and put-together when feeling the opposite and sunglasses, cat-ears and brogues are her go-to accessories. Aesthetic-wise, despite being drawn to bows and ribbons and colour, she goes for layers of black, sequins and see-through pieces. Kitty's style icons include Oscar Wilde (who she agrees had mad swagger), Jesse James, Nick Cave, all Asian girls and Daphne Guinness for her "out thereness" though it can sometimes perhaps be "too forced". But, like me, Kitty likes when people commit to a look and go there and is similarly fond of anything witchy or with a pilgrim vibe that's "polished but a bit grotty" (potential name for my autobiography?).

As to what inspires Kitty most, it's got to be nature and the brief of a work which helps "lead it, in a way". She professes that, for her, there's a "draw" to trees and the moon which she finds over-powering." This love of nature is seen manifest in the passion for colour in Kitty's ouevre despite her love for black and the spooky undertones that prevail. She also loves textures and tries to bring something sweet to her work along with her love of "ghosts and ghoulies", harvest colours and hallowe'en.

When I note her good-natured wit in her work, Kitty tells me I'm the first to note her humour which shocks me. To me, her personality is immediately obvious from a glance at anything she puts her hand to. I ask where this tongue-in-cheek humour wit comes from and she attributes it to the fact that she's one to "laugh a lot" especially as too often "people take fashion too seriously". From her experiences behind the scenes in a fashion house, Kitty is all-too aware of the surface of air-kisses and models making insane amounts of money while other people who make the shows possible struggle. She finds herself disappointed when, despite this knowledge, she is "sucked into it." So, to keep her head straight she keeps that sense of humour as an earth. She describes what she aims for with her work as "spookily sweet", nice and girly. And I would have to agree!

So, I'm gonna go fangirl in a corner. Please go ahead and check out my shots, Digby, Kitty's illustrations and clothing below. 

Be never back, I'm off to live in a converted Gothic Revival church draped solely in Maude and Minet from now on.














Look. At. That. Face.




Lady Moon

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New family motto? If I've got anything to say about it!

Anyhoo, I've bombarded y'all with excitement - bye for now!